Winter Exhibition at Malvern Theatres - 9 Jan - 18 Feb 2017

by Humph Hack 8. January 2017 14:25

All artists draw inspiration from the world about them. In some cases the starting point is nature itself, in others it is humanity, while for yet others, the world of fantasy takes over. But in every case, art without reference to elements which are recognizable cannot engage the viewer. And, it is the capacity to engage which separates the noteworthy from the merely mundane. Art should not be for decoration but for far more. Living with a good work of art involves a daily conversation. Owning a work by one of the 3 artists showing in the new exhibition in Malvern Theatres would make such a dialogue possible.

 Miriam Meek had a love for painting and drawing throughout childhood. She began devoting more time to developing her style of painting following her youngest child starting school. Now several years later, she has exhibited across the Midlands as well as selling via the internet. 

Working with acrylic, her semi abstract paintings are inspired by the sky and it's ever changing colour and movement. Whatever the time of day or the time of year, as the light changes, the sky provides endless new ideas. Whether it is vibrant or a gentleness in the light depicted, each painting has a journey and a story of it's own.

Iso Bella chooses a similar mode of expression, but for her the whole landscape becomes her inspiration. She works in a variety of media. Each, whether, watercolour, oils or acrylics allows and encourages different interpretations of what she has observed. Although she also produces prints, all the work in this show are paintings on canvas. She has exhibited and sold across the UK. Both Miriam and Iso produce works which, although drawing inspiration from nature, rely upon their images evoking the transient nature of the play of light in the natural environment. Photographic they are not, they are more real as a result.

Rachel Blackwell’s works may at first glance seem more straightforward. Her images are all recognisable, but of course, all are imagined, not records of real events. Her work is often bought by parents for their children but is loved by both. All of us have memories of tales told to us and by us, intended for the young, but enjoyed because they continue to echo around our heads as innocent memories. This is the World that Rachel inhabits.

The exhibition runs every day – all day from January 9th to February 18th.

 

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Capturing The Beauty Of The Rain In Art

by Aileen Mitchell 6. January 2017 09:00

From 'Purple Rain' to impressionism, this month we take a look at how art celebrates the beauty of some classic British weather. January isn't exactly famous for its sunny skies, so what better time to throw a positive and artistic light on our winter elements?

The impressionist painters of the 19th century were also known for celebrating wet weather in their art. A large part of impressionism is about capturing the ever-changing light and atmosphere in a painting. For example, Renoir's beautiful sunny afternoon pieces and Claude Monet's dreamy botanical landscapes. But there are some famous pieces that depict less than ideal weather conditions for painting en plein air, as the impressioists did. 

Paris Street; Rainy Day by Gustave Caillebotte

Paris Street; Rainy Day by Gustave Caillebotte

Although it may not seemlike the typical style of impressionist paintings with its almost 3D-like quality, 'Paris Street; Rainy Day' shows a very real atmosphere in the way the rain is painted, shimmering on the cobbled streets. 

Hiroshige van Gogh

Bridge in the Rain by Vincent Van Gogh (right, seen here with Hiroshige's original, left)

Vincent Van Gogh was a huge fan of Japanese art, so much so that he created his own paintings in the same style. 'Bridge in the Rain' is actually Van Gogh's painted copy of the original print by the Japanese artist, Utagawa Hiroshige. Although the dimensions were kept the same, Van Gogh has added his signature textured brush strokes and vibrant colour to the piece to make it his own. 

Jockeys in the Rain

Jockeys in the Rain by Edgar Degas

Edgar Degas, one of the founding fathers of impressionim, is famous for his equine art and portraits of ballet dancers. Here we see the jockeys and their horses in the rain but in the rain. Degas painted many scenes of jockeys and horses, but not many in the rain. Degas's classic delicate strokes and depiction of the light creates the impression of soft and heavy rain. 

Morning on the Seine

Morning on the Seine In The Rain by Claude Monet

Unlike the dreamy landscapes of river on sunny afternoons, Claude Monet's 'Morning on the Seine In The Rain' depicts the busy surface of the river as rain drops hit it. The blend of the same colours from the sky and the trees into the river create the impression of a downpour and a very wet morning. 

ArtGallery artists capturing the rain

Evening City Rain by Aisha Haider

Evening City Rain by Aisher Haider

Evening City Rain celebrates the atmposheric scene of a rainy evening. The very realistic rain drops in the forground create the illusion of looking out at the painting through a window onto the rainy street. 

Silhouettes by Stephen Casey

Silhouettes by Stephen Casey

Stephen Casey creates the feeling of falling rain in the large, vertical brush strokes that make up the background of the piece. 

After Rain by Olena Topliss

After Rain by Olena Topliss

Olena Topliss has created a very dramatic skyscape achieving photorealism with her dabbed, soft clouds. Playing with light in a way that would make any impressionist proud, this piece is very atmospheric and really captures the beauty of a rainy landscape. 

Autumn Rain by Robert Jackson

Autumn Rain by Robert Jackson

Robert Jackson's abstract is a very tangible piece portraying condensation, water droplets and the suggestion of an autumn landscape in the background.

The Walk Home  by Pippa Buist

The Walk Home by Pippa Buist

A watercolour scene reminiscent of Caillebotte, Pippa Buist has created a classic city street scene in the rain. The light reflected on the wet pavements and water of the canal really gives the viewer the beautiful impression of a very wet day. 

Fin by Yary Dluhos

Fin by Yary Dluchos

Yary Dluchos's oil painting on canvas has bold strokes and palette knife strokes that catch the constantly changing atmosphere in a scene that impressionism also captures. The drips trickling down the canvas in a background layer gives the sensation of drizzly weather, combined with downward strokes emulate falling rain.  

Raindrops On Hosta Leaves by Kate Esmarch

Raindrops On Hosta Leaves by Kate Esmarch

A subject can be beautiful to observe and paint whether it is a wide open landscape or a very small detail. 'Raindrops On Hosta Leaves' is a great photorealist acrylic painting that captures the small but beautiful detail of raindrops on a leaf. 

Londoners in the Rain by Lesley Blackburn
Londoners in the Rain by Lesley Blackburn

London is always a great muse: full of drama, interesting scenes, and a never ending opportunity to people-watch. Lesley Blackburn has captured the hustle and bustle of a busy London street in the rain wit her oil on canvas painting. The wet, reflective pavement in the foreground really catches the eye and sets the rainy scene from a firest glance. 

Find more paintings, illustrations and drawings on our gallery that either depict the rain or distract you from it on our online gallery

Image credits:

Rue de Paris, temps de pluie, Gustave Caillebotte (1848–1894) / 5wEUCOlEf-EaVQ at Google Cultural Institute / Public Domain / Wikimedia Commons

Montage personnel de deux images : un tableau original d'Hiroshige et une copie de Van Gogh / 'Own work' / Public Domain / Wikimedia Commons

Jockeys in the Rain, Edgar Degas 1886 / Public Domain / Wikimedia Commons

Morning on the Seine in the Rain, Claude Monet 1897 - 1898 / Public Domain / Wikimedia Commons

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Art History | Artists

Humph Hack's Love Of Buildings

by Aileen Mitchell 4. January 2017 10:44

When I was studying "A" level art, part of the course was the history of architecture. I had never really thought much about buildings before that. They provided shelter, warmth; a living space and in most cases that was all there was to it.

My mind was changed and my eyes were opened by the works of architects like Gaudi, Frank Lloyd Wright and Le Corbusier. In each case it was the exterior of the buildings which excited me. I determined to study architecture and spent many hours sketching the exterior of fantastic houses – many split-level in construction.

The Cathedral - Opus 2 by Humph Hack
The Cathedral - Opus 2 by Humph Hack

My parents were delighted with my career plans. I did a week of work experience in an architects’ office – and hated it. Most people spent all their time deciding on which side the doors should hinge or how deep to make the skirting boards; and everybody talked “cost reduction” all day long. The day I applied to college of art in Birmingham, my parents thought I was going to an interview at the local Architecture college but I was headed for the Fine Art Department of the College of Art. On my return in the evening, the answer to my parents’ questions about how I got on was...“There’s good news and bad news!!”

I successfully completed my degree in Fine Art and a further year to train to teach but maintained my interest in the outward appearance of buildings. After I retired from teaching I decided to use my new found freedom to travel and collect ideas for paintings of interesting architecture.

Malvern Priory From the Hills by Humph Hack
Malvern Priory From the Hills by Humph Hack

I have visited many European countries seeking out buildings which excite me. I take multiple photographs and on returning to my studio seek out those which express the nature of a particular building best and amalgamate several to form the basis of my painted composition. I hope to emphasise aspects of the texture, colour and scale of a building – ignoring or reducing the impact of irrelevant detail and concentrating on those elements which make the building unique.

I have little or no idea of how a painting will look when finished, as I attack the bare canvas! I have found that the technique works as well for domestic architecture as it does for the grand public edifice –as long as the subject matter excites me in some tangible way. I have sold steadily on the internet and through exhibitions. My work is held by collectors throughout the UK and Europe.

Little Malvern Court - Worcestershire by Humph Hack
Little Malvern Court - Worcestershire by Humph Hack

I have been particularly pleased with the ArtGallery.co.uk website which gives me a chance to exhibit my work to a wide audience – and how rewarding it is when you get the sort of response that I received from a very satisfied customer whose feedback is the latest to be posted on the ArtGallery.co.uk testimonial page.

So, where to next on my travels – well, I know little of Germany apart from Berlin and my visits to Italy are limited to Rome and Venice. There is much of Europe and Eastern Europe in particular which remains to be explored. And the UK always has surprises round the corner. I shall not run out of exciting subject matter. My wife with whom I travel shares my excitement in buildings and miraculously we are lucky enough to live in a split-level house which could have been the subject of my adolescent dreams.

Humph Hack

Humph Hack's art gallery »

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Artists | Artists Corner | Being an Artist





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