Floral singularity from the series Kafkian eternity with flowers at 7 PM Acrylic

Floral singularity / from the series Kafkian eternity with flowers at 7 PM / acrylics on canvas / 60 x 80 cm / signed and dated Kloska 2025 December

In this new still life, the flowers are no longer formal motifs but nodes of inner destiny, concentrated fragments of time suspended between matter and spirit. They unfold and recombine in a subtle vibration, as if carrying within them the memory of vanished vegetal worlds. The work preserves the enigmatic pulse of the series “Kafkian Eternity with Flowers at 7 PM”, yet moves it into a more meditative, breathing space, where light itself seems to whisper a silent prayer.
The oneiric calligraphies — delicate, like traces of a forgotten alphabet — articulate a grammar of becoming. Matter is never inert: it dissolves, coagulates, ignites. Every gesture attempts to capture what the eye cannot hold: the trembling of small things, the humble marks of reality that hide an archetypal force within. In this sensitivity lies a deep desire to give meaning to the passing of time, to draw from the ephemeral that spark of eternity sought by so many of the great artists before.
The wide, airy space is not a background; it is a membrane of light, where reality stretches, breathes, and reconfigures itself. The floral form floats between two states of existence — one palpable and dense, the other diluted and spiritual. Here, painting becomes a threshold, an interstice between the visible and the invisible, between personal memory and the universal matrix.
Incandescent accents of orange, warm pink, and oxidized black act as vital pulses — intrusions of raw reality into a world dominated by vapor, shadow, and breath. They are fragments of burning time, traces of a world that continually consumes and regenerates itself. Within this delicate tension lies the artist’s wish to turn the transient into something enduring, to elevate the ordinary toward a quiet transcendence, a natural and intimate connection with the Great Matrix, with the unseen Creator who silently orders all that moves, breathes, and disappears.
Ultimately, the work does not depict flowers, but a state of the world — a ritual of memory that turns ephemerality into sign and light into prayer. It is a still life that refuses to remain still, becoming instead a portal toward that inner time which cannot be measured, only lived.
For me, painting the vessel of flowers is always an act of reconstructing meaning. I do not seek fidelity of form, but the hidden vibration within it — the moment when the object detaches from itself and becomes a bearer of memory, of light, of divine breath. In the vessel I search for a heart; in the flowers, a path. And perhaps in this continuous search lies my deepest wish: to give new value to time, transforming simple reality into a gesture of approaching the Creator.

Ovidiu Kloska – The Artist Who Reveals the Boundaries of the Unseen

Biography and Education
Ovidiu Kloska (b. 1977, Roman, Romania) is a Romanian visual artist recognized internationally for his profound, visionary, and symbolically rich artistic universe. His educational background is as unique as his art: he first graduated from the Faculty of Electronics and Telecommunications at the “Gheorghe Asachi” Technical University of Iași (2000), then shifted his focus entirely to visual arts, completing both a Bachelor's and a Master's degree at the “George Enescu” National University of Arts in Iași (2013–2016).

Artistic Vision
Ovidiu Kloska’s work transcends form and matter, functioning as a visual meditation on the mystery of existence. His art explores spirituality, dreams, the subconscious, delirium, transformation, and transcendence. Through a rich palette, deep textures, and refined symbolism, he creates portals to mystical, unseen realms — alternate dimensions filled with silence, poetry, and inner tremors.

“Uniqueness begins with the very capacity of inventing a universe out of things shattered by time,” Kloska declares — a belief that resonates through every brushstroke. His paintings become emotional and spiritual landscapes, merging abstract expression with intuitive ritual.

Recognition and Global Reach
– Over 2,000 of his artworks are part of private collections worldwide, including Europe, the USA, Asia, and the Middle East
– In 2023, he was awarded “Artist of the Year” on the prestigious international art platform Singulart (Paris), selected among more than 10,000 artists globally
– Member of the Romanian Union of Professional Artists (UAP)

Selected Exhibitions

Alone to the Invisible Touch, “Nicolae Mantu” Art Galleries, Galați, Romania (2015)

Memory Mark, Focșani, Romania (2009) – a concept show on memory and the aesthetics of the urban human

Espace Cotos Art Gallery, Saint Tropez, France (2007) – personal exhibition invited by French painter Georges Cotos

RomanArt Gallery, Roman, Romania (2019) – exhibition in his hometown

Artist Statement
"My visual universe is an alchemy between dream and matter, between what can be touched and what can only be intuited. I constantly seek that poetic tension between chaos and order, between darkness and light.

In my recent series Between the Black and Divine, I dive even deeper into this liminal space — a place where the absence of light becomes sacred, and the void itself begins to whisper. Black is not just color or shadow; it is a presence, a cosmic silence from which all forms emerge and dissolve. It holds within it memory, trauma, rebirth, but also the magnetic pull of the divine unknown.

I am drawn to surfaces marked by time — rusted metal, peeling walls, tree bark — textures that carry stories and spiritual residue. They speak to me, not in words, but in vibrations, in a language older than language. I collect these fragments of the world’s decay and translate them into my own visual grammar.

There is no separation between the physical and the spiritual in my art. The gesture becomes prayer, the pigment becomes energy, and the canvas transforms into a threshold. I am not painting objects. I am revealing frequencies — fields of tension between the seen and the unseen, between noise and silence, between the wound and the transcendence it can become.

To me, painting is an act of spiritual decoding — a ritual of opening the invisible into form, of letting the subconscious and the sacred collide. Each artwork is not just a finished piece, but a living process, a moment of surrender, and an invitation to the viewer to enter a space of contemplation, mystery, and transformation."